Towards the end of the 20th
Century, and perhaps during most of the first two decades of the 21st,
Filipinos accepted that all film and television media in the Philippines,
foreign or domestic, fell under the scrutiny of the Movie and Television Review
and Classification Board (MTRCB). They are the ones who have been determining content
ratings for cinema releases and TV programming, from safe “G” to “strict” “SPG.”
For a time the MTRCB focused only on these traditional AV media (and home
video). But with the advent of online streaming, the board has been making initial
inroads into policing content streaming Pinoy-side as well.
As The Manila Bulletin puts it, the MTRCB is under increasing fire
from Filipino streaming watchers as the national review/classification watchdog
flexes with streaming platforms like Netflix to regulate their online content,
to their ire. Strictly speaking, the MTRCB has no concrete powers to police
streaming media the way they do movies and TV shows in the country. But
recently they managed to convince Netflix to disable viewing of two episodes
from Australian series “Pine Gap,” due to the political thriller featuring a
South China Sea map with China’s “Nine-Dash Line” territorial claim, which is
contested by the Philippine government.
In virtual interview, MTRCB
executive director II/spokesperson and former Congressman Benjo Benaldo (picture, left) admitted that the board
is indeed discussing the possibility of officially extending their regulation
powers to streaming content showing within Philippine territory. “We still
don’t have an official stand but we aim to come up with one soon,” says
Benaldo. “The board will present an official stand in the next few weeks,
hopefully.” At present, the MTRCB is transitioning from the chairmanship of Maria
Rachel Arenas to Atty. Jeremiah Jaro (picture,
right). The outgoing Arenas had been pushing for more streaming regulation
powers for the MTRCB, something Jaro has mentioned in recent meetings of the
board.
Local streaming viewers have
voiced online opposition to an MTRCB proposition that stream services like
Netflix adapt their rating system (G-SPG) for content viewable in the country.
The recent pulling of “Pine Gap” episodes from Netflix’s Philippine streaming,
done by the board to “prevent Filipino youth from contact” with the false
Nine-Dash line claim by China, was slammed by netizens as a dangerous
overreach. Already, more Pinoys are being drawn to streaming services for
providing content more intense than MTRCB-regulated local fare, like hit Korean
series “Squid Game” for example.
Image from Philippine Entertainment Portal
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