The general perception of South
Korean popular entertainment, and one that industry is not shy of letting the
world know, is that of the “talent factory.” That means near-monolithic Korean
talent companies hold auditions to find prospective idols in music, TV and
film. The company management then has final say on what their in-house talents
can say and do in terms of projects, media appearances, private life, and so
on. But there are still exceptions to that rule, such as South Korean boy band
SEVENTEEN under Pledis Entertainment, a so-called “self-producing” group with
some liberty in songwriting, choreography, and more. SEVENTEEN has already
performed in Manila before; next year they are coming back for more.
According to ABS-CBN News, SEVENTEEN will indeed return for another concert
performance in Manila, as confirmed on their official Twitter page. This
concert, scheduled for early 2020, will be one stop on Asian leg of their “Ode
to You” world tour. This would put their return to the country at almost two
years since their first visit back in September of 2018, when they held a
concert, also in Manila, that was a portion of their previous “Ideal Cut” tour.
SEVENTEEN WORLD TOUR <ODE TO YOU> ASIA PART 2 pic.twitter.com/B5ScXbkRAj— 세븐틴(SEVENTEEN) (@pledis_17) August 27, 2019
The story of SEVENTEEN began
almost as similarly as many other K-Pop idols or singing groups. In reference
to how Korean entertainers spend several years being trained and developed
within their talent agencies before making a formal debut, the 13 young men who
would become SEVENTEEN spent two years since 2013, first starring in an online
reality show called “Seventeen TV” which was carried by the Korean streaming
service UStream, before finally debuting conventionally in 2015. The boy band
has gotten plenty of mileage from their “self-producing” distinction, bringing
their own talents and skills to the fore to create two albums (with reissue
editions), a compilation, and plenty of extended plays, singles and artist
collaborations.
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